Set 01
Hotel lobby
Five-star Mumbai hotel lobby (Taj-style colonial-modern), early evening. Honed Italian marble floor with realistic gentle reflections (not mirror-perfect), brushed-brass column detailing with faint patina, a low velvet bench and a tall floral arrangement in the deep background. Warm 3000K ambient downlights plus soft daylight spill from a tall window camera-left — that window is the key on the model too. No staff, no guests, no logos, no readable signage. Shot on a Sony A7 IV, 50mm at f/2.8, ISO 800.
Set 02
Gallery
Minimal contemporary art gallery, daytime. Smooth matte white-painted gypsum walls with subtle roller texture and a faint scuff near the floor, polished concrete floor with realistic micro-aggregate and one or two hairline cracks. Soft directional track-spot from upper camera-left rakes the model, broad ambient skylight fills the rest. One unreadable abstract canvas hung far in the deep background, no people, no labels, no signage. Shot on a Sony A7 IV, 50mm at f/2.8, ISO 400, neutral white balance.
Set 03
Rooftop sunset
Mumbai Worli rooftop terrace, 6:40pm in November. Weathered IPS concrete floor with a few water-stain patches, a low matte-black metal railing, the Bandra-Worli Sea Link and a hazy city skyline softly out of focus far behind. Warm sun low on camera-right, long soft shadows, sky a believable peach-to-blue gradient (not a poster orange). The model is lit by that same camera-right sun. No other people, no signage, no logos. Shot on a Sony A7 IV, 50mm at f/2.8, ISO 200.
Set 04
Indoor loft
Mumbai Lower-Parel mill-conversion loft, late-morning. Hand-troweled lime plaster wall with hairline cracks and faint paint roller texture, worn herringbone parquet floor with a few scuff marks. Tall industrial steel-frame window camera-left, soft diffused 10am daylight falling left-to-right across the room, a low linen sofa in the deep background. No people, no signage, no TV. Shot on a Sony A7 IV, 50mm at f/2.8, ISO 400, naturalistic colour, no HDR.
